Ava
This is certainly a stylish and practical piece, with various finishes available, you are sure to find the perfect match to add into your home. Thibault Desombre has created a contemporary design, combining a streamlined form with clean lines. The Ava extending table features a round top and comes in a range of finishing materials.
Dining table supplied with 1 or 2 extensions (W 55 cm), to be stored separately. Unlike the 2 tops, these extensions do not have a lip. The central base (in 50 mm x 10 mm section) is made from brilliant-chromed steel and is in two parts (attached to the tops) which move apart when one wants to install the extension(s).
Where the tops are in ceramic stoneware, the extensions are in MDF clad in white Fenix whilst the edging is finished in white lacquer. This table accommodates 4 persons when closed, 6 with 1 extension in place and 8 with 2 extensions.
Dining table Ø 130 cm :
Dining table with integral folding extension (W 87 cm). Unlike the 2 tops, this extension does not have a lip. The central base (in 50 mm x 10 mm section) is made from white lacquered, brilliant-chromed or black-chromed steel and is in two parts (attached to the tops) which move apart when one wants to unfold the extension.
Where the tops are in satin white lacquer, argile lacquer, smoked oak-effect veneer or walnut, the extension is always matched to the tops.
Where the tops are in white ceramic stoneware, the extension is either matched to the tops or in MDF clad in white Fenix.
Where the tops are in white marble-effect ceramic stoneware, the extension is always in MDF clad in white Fenix.
Where the tops are in metallic anthracite ceramic stoneware, the extension is either matched to the tops or in MDF clad in anthracite-stained ash veneer. This table accommodates 6 persons when closed, or 8-10 with the extension in place.
Cabinet maker and Compagnon du Tour de France, Thibault Désombre is passionate about furniture and design and enrolled at the Ecole Nationale des Arts Décoratifs, Paris in 1981. His first creations after graduating were for P. Parent (1983), then he went on to design the Shaker’s collection for Grange (1986), which turned out to be his first great commercial success.
Building on this dramatic debut, he went on to produce more and more contemporary designs in fields as diverse as office furniture (Macé, Addform), contracts (Soca Line), and homes (Ligne Roset, Cinna, Atlantis) and has won numerous prizes for his work. Now a lecturer, he has been consultant designer for La Redoute for 2 years, and has a generally tranquil style, which takes little heed of current trends. His creations are typified by their pure, clean lines, which he endeavours to charge with emotion and affection. His collections for Ligne Roset and Cinna such as the Pi and Finn chairs, the Mama lamp and the Bora decanter exquisitely embody this philosophy.
