Cut Back is a sophisticated interpretation of light, balancing precision and poetry. Its extruded aluminum body, finished in satin bronze, exudes understated elegance, while the ribbed glass front gently diffuses a soft, warm glow. At the heart of each piece, a delicate bronze film amplifies reflections, creating a nuanced, intimate atmosphere.
More than a light fixture, Cut Back is a scenographic element that elevates and defines its surroundings with architectural clarity.
Initially launched in 2024 in floor and pendant versions, the collection expands for Euroluce 2025 with the introduction of Cut Back Linear — a suspended horizontal lighting module held by fine black steel cables. Its minimalist profile and seamless beam of light make it ideal for large-scale environments, offering bold visual impact and evenly distributed illumination.
Available in multiple sizes, Cut Back Linear supports continuous installations for an uninterrupted flow of light and form.
David Lopez Quincoces (b. Madrid, 1980) is a Spanish designer who blends artistic sensibility with architectural precision. He graduated in Fine Arts from the Universidad Complutense de Madrid in 2004, before pursuing a Master’s degree in Interior Design at the Politecnico di Milano.
Since relocating to Milan in 2005, he collaborated with renowned architect Piero Lissoni on a wide range of international projects—including showrooms, exhibition spaces, private residences, offices, hotels, and resorts—developing a deep understanding of global design culture.
In 2007, Quincoces established his own studio, Quincoces-Dragò & Partners, with offices in both Milan and Madrid. The practice operates across architecture, graphic design, interiors, and industrial design, offering a holistic and refined approach to contemporary living.
His portfolio includes collaborations with leading brands such as Living Divani, Lema, Bitossi, Oluce, Zucchetti Kos, MDF Italia, Acerbis, Gandia Blasco, Ranieri, and Gervasoni—affirming his status as a key figure in the international design scene.
