The re-edition of I Fiumi, originally designed by Claudio Silvestrin, introduces a subtle yet impactful evolution of a design classic. While preserving its distinctive character and serene visual language, this updated version responds intelligently to modern-day functionality and spatial needs.
One of the key innovations in this edition is the introduction of lower-height base units, carefully designed to optimize floor space without compromising on storage performance. The result is a composition that maintains a strong architectural presence while offering greater ergonomic and spatial flexibility—ideal for contemporary bathroom environments.
I Fiumi is available in modules of 60, 90, and 120 cm, offering freedom in layout and composition. These units can be combined in linear or asymmetric arrangements and are also fully compatible with the reintroduced Piave countertop washbasin, forming a complete, sculptural ensemble with a refined, unified aesthetic.
austere but not extreme, contemporary yet timeless, calming but not ascetic, strong but not intimidating, elegant but not ostentatious, simple but not soulless.
Claudio Silvestrin Architects was established in 1989 with offices in London and, since 2006, in Milan as well. The work of the practice encompasses real estate developments, newly built houses and resorts for private residence, art galleries and museums, restaurants, luxury retail stores and furniture design.
Clients include Giorgio Armani, Calvin Klein, Giada, Anish Kapoor, Victoria Miro, Fondazione Sandretto Re-Rebaudengo, YTL Singapore, Illy Coffee, Princi, Rainer Becker of Zuma and internationally acclaimed hip hop artist and producer Kanye West.
Claudio Silvestrin’s most recent project is a newly built fashion mall of 40,000 m² in Turin which opened to the public in March 2017.
He designs I Fiumi series for Boffi bathroom collection.
Despite its functional enhancements, I Fiumi remains true to its essence: minimalism reduced to its most meaningful form. Meticulous 45° chamfered joints between top, sides, and front panels ensure visual continuity, while the absence of visible hardware or surface interruptions elevates the collection’s sense of calm and architectural purity.
