Ligne Roset


A new edition of the bed which has been a Ligne Roset best-seller for more than two decades, the Peter Maly bed is aimed squarely at those whose priorities for their bedroom are the comfort, originality and aesthetics of their bed – those whose preference is for a pared-down bedroom offering generous space for rest and relaxation.

Equally, in a small loft or studio, the Maly bed could also be used as a convivial space for entertaining or relaxing. The Maly bed is constructed around the idea of a vast central platform which is both soft and supple (slatted base, mattress and bedding), surrounded by horizontal planes for a more tautly rigorous geometric effect. The pillow/headboard cushions slide freely around the bed frame, allowing for a multitude of positions since there is no fixed way for the bed to be used.

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Technical Specifications
Structure in black anodised aluminium profiles.
Side panels in 3-layer particleboard clad in polyurethane foam 50 kg/m³ - 6.3 kPa and polyester quilting 100 g/m².
Cylindrical feet with matt black lacquered steel plate - choice of two heights: 10 cm or 16 cm.

The bed frame takes all kinds of slatted bases and mattresses (one steel crosspiece at the head, another at the foot). Removable pillowcushions with metallic fixings may be located at any point around the bed. Structure of cushions in high density polyurethane Bultex foam 26 kg/m³ - 1.4 kPa with steel core and integral elastic-webbed suspension.

Covers of pillow-cushions are quilted with 300 g/m² polyester, with simple stitching; covers are removable and are held in place by zippers.
Baguette stitching on side panels; covers are removable and are held in place by gripper strips.

All covering materials (NB except technical impossibilities).
Meet the designer
Peter Maly

Peter Maly studied interior architecture at the Fachhochschule Detmold, graduating in 1960.

Between 1960 and 1970 he worked as a journalist and interior designer for a German interiors magazine.

He opened his own design and interior architecture studio in 1970.

He has worked for many years with companies such as Anta, Behr, Cinna, Cor, Interlübke, Jab Anstoetz, Ligne Roset, Mauser, Thonet et Tonon.

His scope of works takes in product design, textile design and ‘exhibition design’ for certain events such as trade show stands for Ligne Roset. In addition he has worked on the design and fit-out of Ligne Roset stores all over the world, including Moscow, New York, Hamburg and Berlin.

His works have been recognised with numerous design awards.

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